I think that's everyone

While I was filming the benefit show for Tony Janflone Jr. a month and a day ago, I was excited. I figured I'd have plenty of video highlights to post, material that would sound and look decent.

As it turned out, once I started editing the footage, I never thought I'd stop. There were so many quality performances by some of the area's finest musical talent that I contined to put together videos, whenever I had some relatively spare time at the office.


I wanted to post representative material from everyone involved, and the final piece of the puzzle turned out to be the event's opening act, the Skip Peck Trio featuring vocalist Donna Peck (that's her at left).

I certainly enjoyed the ensemble's jazz-flavored set, but I knew there would be a few issues once it came time to edit the video.

That night, I recorded the audio using a "matrix": one channel from the soundboard, one from an audience microphone. That setup worked fine for the louder acts, but the Trio played at a somewhat softer volume. That and a relatively inattentive, chatty crowd (to be fair, they were just settling in) rendered the audience recording almost useless.

The soundboard patch had its problems, too. I still was trying to get a proper balance for the show, and as a result, I ended up with some very ugly electronic noise at key places.

The selection the Trio played I ended up posting was "Summertime," one of my all-time favorite compositions, a song that's been performed in just about every genre imaginable. (Heck, Janis Joplin sang a rock version with Big Brother & the Holding Co.) My edit, though, only encompasses the second half of the song; the audio to that point was beyond salvage.

So enjoy the video of "Summertime," then scroll down and check out all the other performances I've posted for one memorable evening in March!

A shot of Vitamin L

Someday I'd like to apologize to B.E. Taylor.

When he released his album "Love Won the Fight" in 1983, I was asked to write a review about it for the college newspaper. Since I was a know-it-all who considered anything recorded after 1970 not to be worth my while, I didn't have the greatest things to write about the record.

Hey, that was a quarter-century ago. What did I know?


What I do know is that hearing B.E. perform "Vitamin L" at the recent benefit concert for Tony Janflone Jr. was an experience that certainly transcended writing for the school paper. With a stellar cast, including "Vitamin L" composer Rick Witkowski on guitar, B.E. had the audience members where he wanted them, including yours truly.

A highlight of the performance was a bass solo by Tommy Bellin, who does a jaw-dropping rendition of Vince Guaraldi's "Linus and Lucy" in mid-song. Aspiring bass players might want to study Johnny's technique closely. Tommy, by the way, plays regularly with No Bad Ju Ju, a band that's definitely worth catching.

Here's the full video version of "Vitamin L."

And if you run across a 1983 copy of the IUP Penn with a writeup on B.E. Taylor, please ignore it.

Pittsburgh's Mr. R&B

The one time I met Billy Price, I thought I'd impress him by bringing along a CD of an album on which he sang in the early '70s: Roy Buchanan's "That's What I Am Here For."

Billy took a withering glance at it. "That's a lousy album," was his comment.


Well, I like it, but I wasn't going to argue with him. After all, he's been one of the most popular Pittsburgh performers for three decades.

And seeing Billy perform these days is a heck of a lot different than what he was doing with the late Mr. Buchanan in the day. That was in kind of a blues-rock motif, punctuated by Roy's feedback-laden, virtuoso guitar, good listening for college kids sitting around their apartment (the first time I heard it), but ...

Today's Billy Price Band is a rhythm-and-blues shot of energy, with Bill delivering the suitably gritty vocals of a seasoned veteran. And he has a crack supporting cast that epitomizes the polished, professional R&B revue.

Billy joined the top-flight crew of musicians who gathered recently to help fellow performer Tony Janflone Jr., the Washington guitarist who is recovering from injuries so he can return to the stage (and play more benefits on behalf of others, and he's done countless times in the past).

With my video camera perched atop a video game machine at the Rhythm House in South Fayette Township, I captured the Billy Price Band in performance. Here are some tunes from that show, all from the band's 2006 album, "East End Avenue":

• "Keep It to Yourself" (Price, Tiven, Tiven)
• "Soul Sailin'" (Mike Sweeney)
• "If You Cook Like You Walk" (Jimmy Britton)

Here's another one: Bobby Lexing's "Bump and Grind." For whatever reason, my recorder cut off the end. Plus, from my vantage point, guitarist Steve Delach was standing behind a speaker, so I couldn't catch the visuals of him playing his hot licks.

And yes, catching the band live beats sitting around listening to "That's What I Am Here For." (Sorry, Roy, wherever you are.)

A night for Tony

Washington, Pa., musician Tony Janflone Jr. has been playing professionally since he was a teenager, and he's played countless benefit shows over the past three decades.

Last fall, Tony and his wife were involved in an accident, and the medical costs continue to rise as they recover.


Knowing all that Tony has done on behalf of others, fellow musician Curtis Swift, the sax player in Tony's band, organized a benefit to help defray the costs. Signing on were such well-known Pittsburgh-area musicians as Donnie Iris, Billy Price, B.E. Taylor, Robert James of the Clarks and Rick Witkowski, whom you might remember from his work with the '70s band Crack the Sky. And of course, Tony Janflone Sr., the dean of Western Pennsylvania guitarists.

I had the pleasure of filming the proceedings at the Rhythm House in South Fayette Township on Thursday, March 13. Owner Darryl Price and others working at the venue were very friendly and helpful, suggesting that my best vantage point would be from atop a poker machine near the soundboard! I patched one audio channel from the soundboard, used an ambient mike for the other, and came up with a pretty good mix for the parts of the show I've played back so far.

Tony Jr. told me beforehand he wouldn't be playing at the benefit, but the guys called him up to the stage, where he played a smoking "Green Onions."

Since it was Tony's night, I started editing three-plus hours worth of video there. Unfortunately, he was behind a speaker from my vantage point for the first three or so minutes, so I made do with a series of stills until he finally stepped to center stage.

Click here to watch the result.